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 Light: Visionary Perspective explores the centrality of light in humanity and architecture 

As the Aga Khan Museum celebrates its 10th anniversary, a new exhibition exploring the complex impact of light has been unveiled. Light: Visionary Perspective features works by Canadian and international artists and explores how light has shaped history and continues to influence our perceptions of the world around us. 

art in Toronto
art in Toronto

Two Corners by artist Phillip K. Smith III.

The installations featured in Light: Visionary Perspective speak to and showcase many interpretations of the effects of light, both literally and symbolically. Through the use of auditory and visual stimulation, visitors of the exhibit will find themselves transported through the artists’ works as they experience the storytelling of light through different mediums. 

Co-curated by the Museum’s associate curator Bita Pourvash and special projects curator Marianne Fenton, the installations and works featured in Light: Visionary Perspective take audiences through all realms of light – past, present and future – “to explore our shared humanity.” 

Aga Khan Light exhibit
Aga Khan Light exhibit

mazinibii’igan / a creation, 2020, by Tannis Nielsen.

Exploring the origins of humanity is mazinibii’igan / a creation, by artist Tannis Nielsen. The immersive looped video installation dives into the origin of light with narration by Elder Marie Gaudet (Turtle Clan Anishinaabe from Wikwemikong). 

AGA Khan Light
AGA Khan Light

South Korean artist Kimsooja’s piece To Breathe uses the museum’s courtyard as a proverbial canvas.

Korean artist Kimsooja uses To Breathe, a site-specific immersive installation, to harness natural elements of the building’s architecture to play with light using the windows surrounding the Museum’s courtyard. 

Beyond the galleries, Light: Visionary Perspective, looks at how light interacts with the Museum’s architecture and design. During its design process, His Highness the Aga Khan highlighted the “ephemeral yet essential qualities of light,” setting the tone for the building’s design inspiration. The building’s architect, Fumihiko Maki, utilized materials and methods to translate this inspiration into reality and allow the building to play with light no matter the time of year or weather. 

The exhibit is on now until March 17, 2025.

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Okay, but it clearly is

For the first 16 years of my life, the bat cave at the Royal Ontario Museum (ROM)—a reconstruction of an actual cave in Jamaica—was among my favourite places in the city. The cave was decorated with cast stalactites and wax bat models, which hung from the ceiling and threw jagged shadows on the walls. A few other features imbued it with spooky verisimilitude: the drip-drip-drip sound effects, the mirrors arranged to create the illusion of infinite depth, the strobe lights strategically placed to make the shadows flutter. When I visited as a five-year-old, the bat cave scared me. When I visited as a stoned fifteen-year-old, it scared me even more. Then came the renovation.

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