Batay-Csorba Architects is Our Designer of the Year for 2021
The young firm scores full points for its density-minded, context-driven designs, taking deeply familiar architectures and reinventing them in new ways
Amid the Victorian mansions of Parkdale – remnants of the neighbourhood’s 19th-century past as an upscale suburb – two modern homes beg pause from passersby. A brise-soleil creates an eye-catching screen and a secret art installation for the public: the shapes of crocodiles, camels and raccoons embedded in the graphic arrangement, visible only at certain times of day.
Batay-Csorba’s duplexes face the street with two-storey-tall slat screens made of thermally treated Eastern Canadian pine, a highly durable, rot-resistant and sustainable material. Photography by doublespace photography.
Inside, the play of light and shadow is incredible and seemingly imitates the forms of the exposed floor joists above. Windows by Tiltco. Photography by doublespace photography.
The back of the home features large windows and a quaint patio. Photography by doublespace photography.
Scaled to neighbouring houses and matching their red brick exteriors, the four-storey double duplex paradoxically seems to both blend in and stand out. It’s as though someone’s tossed into a twister the visual elements of the street – the bay-and-gable typology and the muted wood of the elderly elm trees – and combined them into something entirely new.
Those someones are Andrew and Jodi Batay-Csorba, founders of an eponymous firm making its mark on Toronto by remixing the city’s most iconic architectures. In 2010, the couple returned from Los Angeles, where they worked under legends Frank Gehry and Thom Mayne; originally, they hail from Thunder Bay and Leamington.
“We wanted to contribute to Canadian architecture. There was a connection for us here but we didn’t grow up with the normative conditions of Toronto, so we started by understanding the unique qualities of its built environment.” Andrew Jodi Batay-Csorba Co-Founder, Batay-Csorba Architects
A series of sectional plywood profiles or “ribs” form High Park House’s vault, resulting in a curved carport and first-floor interior. The brick technique is an adaptation of the traditional Flemish bond pattern. Photography by doublespace photography.
The curvature of the ceiling on the first floor of the home brings an elegance and softness to the living room. Photography by doublespace photography.
The rounded kitchen and dining area reaps the benefits of a 6.7 metre-tall skylight. Scavolini kitchen; flooring from Stone Tile.
The proof of that investigation is in the pudding. At a new build in the High Park area, the couple created another graphic facade that celebrates the local tradition of ornate masonry often seen in the exterior detailing of Victorian rowhouses. Spare of windows, this monolithic brickwork frontage cuts to an unexpected curved carport. Skylights illuminate the modern interior, where barrel-vaulted ceilings add romance and unify indoor spaces with the exterior.
The chiselled-from-stone appearance of CORE Modern Homes’ windows garner the Eglinton East development a lot of looks. Not only does the placement of the inverted bay windows animate the otherwise monolithic structure, it optimizes natural light and ventilation inside the seven townhomes. Photography by doublespace photography.
Designed with families in mind, each townhouse unit has a spacious kitchen and living room with sunlight pouring in from either end and acres of hidden storage. Photography by doublespace photography.
Spacious and simplistic units. Photography by doublespace photography.
Drawn to Toronto’s oft-cited “missing middle,” Batay-Csorba has continued to dream up exciting models built on the same principles as its Parkdale duplexes. Leaside’s CORE townhouse complex boasts three-bedroom units, master baths, private patios, elegant built-in storage and modern fireplaces, showing just how far 230 square metres can go. And, in place of one Clinton Street home, the firm created a proposal for three innovative duplexes in which six apartments of varying sizes are built around all-season interior courtyards.
At Milky’s cafe on Dundas West, Batay-Csorba wrapped the floor, walls and ceiling with 1,300 wooden flooring panels (from Relative Space) and interlocking marble segments, making for an immersive experience.
With a rich background in collective space, Batay-Csorba has undertaken everything from Milky’s caffeinated 28-square-metre interior (born of engineered wood flooring from Relative Space) to a six-storey boutique office building in Liberty Village that reignites a relationship with precast concrete. This year, they’ll contribute to Westbank’s Mirvish Village development at the landmark Honest Ed’s site, undertaking the design of two public markets and invoking the bygone discount centre’s invitation to get lost among curiosities.
“The project captures one of the central dilemmas of how we rebuild cities, that tug-of-war between sentimental nostalgia and evolution.” Batay-Csorba Architects
In their speculative design for a triple duplex on Clinton Street adds density while retaining the scale of a single-family home while addressing the issue of housing specifically the ‘missing middle’ here in the city. Render by Norm Li.
In this proposal, six units are built around all-season interior courtyards. With in-ground heating, fireplaces and weather curtains, they function as both living room and outdoor spaces. Render by Norm Li.
Render by Norm Li.
For this firm, it’s not an impasse, but a starting point. Density and the question of heritage architecture are only two topics in the larger conversation of rebuilding Toronto (affordable housing and public space holding even more prominent seats at the table). Reinventing how we build will be critical for Toronto’s architectural progress – acknowledging the city’s many pasts while developing its future. With more thinkers like Batay-Csorba, we can wager that future will be bright. BATAY-CSORBA.COM
