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Accessories to Boost Home Office Productivity

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Hard-working designs taken to task

Home Office Productivity accessories -Tom Dixon - cube
1 SHINY SUPPLIES
Bring some glamour to your workspace. Tom Dixon’s Cube collection includes a copper pen, stapler, tape dispenser and desk organizer – everyday office tools transformed into exceptional treasures. From $80, at Klaus, 300 King St E

Home Office Productivity accessories Flos Goldman
2 BANK ON IT
Ron Gilad modernizes the classic banker’s lamp for Flos by adding a USB port to charge smartphones. Shown in brass with a green glass shade, the dimmable light is also available in an all-black version. $655, at Kiosk, 288 King St E

Home Office Productivity accessories - Grovemade
3 MODEST MOUSEPAD 
Glide your mouse across Grovemade’s elegant vegetable-tanned leather surface. A hand-sanded walnut niche provides a place for that favourite pen or stylus, while the grippy cork base keeps the pad from slipping. $100, online at grovemade.com

DL-0815-gusmodern-desk2
4 BRILLIANT BUREAU
Gus Modern’s walnut wonder includes drawers for file folders, accessories and snack-break treats. Stainless steel legs and aluminum handles give the mid-century-inspired design some contemporary flair. $1595, at Stylegarage, 78 Ossington Ave

Home Office Productivity accessories - calligaris -shelf3
5 HOME LIBRARY
Stack reference books on this free-standing MDF wooden shelving unit. Optional aluminum containers in primary colours act as shelf dividers and brighten up your office. $2885, at Calligaris, 170 King St E

DL-0815-gispen-triennale1
6 ORANGE CRUSH
Gispen’s compact, height-adjustable Triennial desk chair is available in a range of splashy hues. A plush seat offers ample back support, while castors allow you to roll from desk to bookshelf. Contact for pricing, at Julien Armand, 213 Sterling Rd, Ste #101

Originally published in our Fall 2015 issue as Work It.

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Okay, but it clearly is

For the first 16 years of my life, the bat cave at the Royal Ontario Museum (ROM)—a reconstruction of an actual cave in Jamaica—was among my favourite places in the city. The cave was decorated with cast stalactites and wax bat models, which hung from the ceiling and threw jagged shadows on the walls. A few other features imbued it with spooky verisimilitude: the drip-drip-drip sound effects, the mirrors arranged to create the illusion of infinite depth, the strobe lights strategically placed to make the shadows flutter. When I visited as a five-year-old, the bat cave scared me. When I visited as a stoned fifteen-year-old, it scared me even more. Then came the renovation.

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