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The Drape light captures Wolfond’s material-driven aesthetic and Moooi’s expertise in elegance

Toronto-based designer Jamie Wolfond has steadily established himself as a leader in the city’s design scene, known for his inventive approach to materials and thoughtful craftsmanship. Now, in his first collaboration with Dutch design brand Moooi, Wolfond introduces the Drape light, a lighting fixture that celebrates his material-driven aesthetic while positioning his vision to an international audience.

Jamie Wolfond for Moooi
Jamie Wolfond for Moooi

The pendant retails from approx. $2,500.

Suspended from sleek glass tubes that encapsulate LED lights, the Drape light features a flowing 3D-knitted polyester shade, creating a warm, atmospheric glow. Available in two sizes—78cm and 118cm—the light adapts to different spaces, offering a simple yet refined presence. For Moooi, a brand known for embracing bold, innovative designers, collaborating with Wolfond marks a natural partnership. “The essence of my design vision lies in material interaction, where the tension and flow of elements create a poetic dance of form and function,” Wolfond explains. The Drape light embodies this philosophy, resulting in a fixture that feels both modern and timeless.

Wolfond’s leadership in Toronto’s design community has long been evident through his hands-on experimentation and commitment to sustainable practices. Needless to say, the first-time partnership with Moooi elevates his influence, giving him a platform to showcase his distinct design sensibilities on a global scale.

The Drape Light, available as of October 8, 2024, can be purchased through Moooi’s online store and select dealers, positioning Wolfond as a key figure to watch in both the local and international design scenes.

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Okay, but it clearly is

For the first 16 years of my life, the bat cave at the Royal Ontario Museum (ROM)—a reconstruction of an actual cave in Jamaica—was among my favourite places in the city. The cave was decorated with cast stalactites and wax bat models, which hung from the ceiling and threw jagged shadows on the walls. A few other features imbued it with spooky verisimilitude: the drip-drip-drip sound effects, the mirrors arranged to create the illusion of infinite depth, the strobe lights strategically placed to make the shadows flutter. When I visited as a five-year-old, the bat cave scared me. When I visited as a stoned fifteen-year-old, it scared me even more. Then came the renovation.

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